FRESH KILL, coined as an eco cybernoia film, an avant-anarcho ecosatire, envisions a post apocalyptic landscape strewn with electronic detritus and suffering the toxic repercussions of mass marketing in a high-tech commodity culture. “Kill” is Dutch for stream, Fresh Kill tells the story of two young lesbian parents caught up in a global exchange of industrial waste via contaminated sushi. The place is New York and the time is now. Raw fish lips are the rage on trendy menus across Manhattan. A ghost barge, bearing nuclear refuse, circles the planet in search of a willing port. Household pets start to glow ominously and then disappear altogether. The sky opens up and snows soap flakes. People start speaking in dangerous tongues. A riveting and densely packed film, FRESH KILL evokes the furious rhythms of channel surfing with its rapid-fire editing style.