Films of a higher tier, those stamped with the seal of Art, usually accrue a more serious following than many of the movies being made on a supposedly lower tier - those branded with the scalding mark of the “mainstream.” As we create and bolster these tiers, in the shadow of a class system curiously similar in construction, the public risks being further and further from our own desire for liberation, for enlightenment, and for pure, unadulterated entertainment. Cinema was born with the intention to fulfill the needs of spectacle for the working classes - the mainstream. Yet, as time pressed on, and the cinematic form grew, so did the separation of cinema from its origins, from the people and their governing reality. As Walter Benjamin put it, higher art sought “concentration” while lower art fostered “distraction,” an idea so preposterous to the German-Jewish philosopher, that he went on to say: “...all of this in order to distort and corrupt the original and justified interest of the masses in film - an interest in them understanding themselves and therefore their class.” It is with this thought that we present, ‘Highs & Lows’: a film series questioning, bridging, and destroying the gap between the idea of bad vs. good, high vs. low, and art vs. pleasure. 'Highs & Lows' is an experiment in coupling mainstream pop culture with canonical arthouse classics. Each of the films being presented are made-to-order for every persuasion of the modern-moviegoing scene, steered towards a horizon hellbent on canonical and hierarchical obliteration. This series illuminates the often surprising thematic connections and motifs between supposedly antithetical films. Highs & Lows is a series designed to highlight the spectacle of the cinema.

Inspired by the City of commerce drive in’s screening of all eyes on me + 47 Metres Down & The Mall's original series, Highs & Lows